My space-opera novel THE ARGUS PROJECT will be available for FREE ebook downloadfrom Friday, November 28, PDT (Pacific Daylight Time) to the end of November 30, 2024.
(In European time zones, the offer lasts until Sunday December 1, 2024.)
About THE ARGUS PROJECT:
ALL IS FAIR IN LOVE AND WAR...
In the distant future, Planet Earth has become the seat of an interplanetary empire. It wages war on its own colonies to gain control of the Solar System and its precious energy resources.
Two lovers are caught up in this colossal power struggle. They join forces to win back their freedom... and each other. In their way stands the military forces of an entire empire... and the last politician.
This complete 100,000-word science fiction novel has previously been released as a Web serial.
Book Review: DALLERGUT DREAM DEPARTMENT STORE (2023) by Miye Lee
INSIPID: "Wanting in the qualities which affect the organs of taste; without taste or savor; vapid; tasteless."
That just about sums it up.
Perhaps something was lost in the translation from Korean to English, but this book felt synthetic ... as if it were computer-generated. (That certainly applies to the above book cover, too.) Nothing comes alive - not the characters, not the plot, not the setting. It all comes off as flat, fake, simulated.
The main theme, a store that sells dreams, is weak and convoluted. The "dream marketplace" seems to have insinuated itself into a space where it was never needed to begin with - a middleman who sells your own imagination back to you.
There is no sense of conflict or real tension in the story, since it's all about affirming the "ordered" state of dreamland. There is no chaos or disorder or depth or ambiguity. The "authority figure" characters are all-seeing and benevolent, which gets creepy in a way the author may not have intended.
Santa Claus appears as a character. It doesn't help.
Is this aimed at children? Then children deserve better literature.
My scary ebook THINGS FROM BELOW And Other Stories will be available for FREE download from Friday September 6 to the end of Sunday September 8, 2024, PDT (Pacific Daylight Time).
PLEASE NOTE: The freebie will be available longer, until September 9, in certain timezones (especially Europe).
About THINGS FROM BELOW:
BENEATH OUR FEET THERE ARE MONSTERS...
In the novella "Things From Below," the world is inexplicably attacked by giant creatures with a ravenous hunger for human flesh. Are these monsters real... or has reality turned into a living nightmare? The book THINGS FROM BELOW also contains three additional tales of the macabre, by Swedish author A. R. Yngve. His short fiction has been published in the UK, Sweden and China. Read a sample HERE.
A quick dive into the question of why it's so psychologically hard to make an accurate image of a comet - or space itself. (It's not just the sci-fi movies - even astronomy books can't do it.)
Tora F Greve har läst och recenserat min novellsamling DET BLINDA RUMMET.
Läs recensionen HÄR.
Citat:Det blinda rummet är en samlingsvolym med AR Yngves speciella SF-stil och ett måste för alla som hyllar udda science fiction. De flesta har varit publicerade innan, det mesta på engelska i olika tidningar och antologier.
I have read other books that use genre fiction as a vehicle for religious messages (see also my review of G. K. Chesterton's THE MAN WHO WAS THURSDAY).
In THE SPARROW, the message is related to Catholicism. The story is a heavy-handed allegory about the Problem of Evil. It comes off as an attempt to "sell" Catholicism and the pillars of its belief system - even though the author's intent may have been to criticize it. Does this sound confused? I think it is.
THE SPARROW is labeled as science fiction, but that is the weakest element of the novel.
The plot hangs upon a crucial event: That the main protagonists take part in a hastily assembled, first-ever manned space expedition to another star. The scientific plausibility of this expedition is low, for a book written in the 1990s.
Among the book reviews on Amazon, I found one quote that sums up how the space travel in THE SPARROW fails to convince: "Hey, gang! Let's go to Alpha Centauri!" The setup really is that naive.
The costly and extremely risky expedition is financed by Jesuits, and the spacefaring crew is led by a charismatic Jesuit priest. In fact, the whole aim of their mission - expressed by said priest, who is the main protagonist - is to affirm the Catholic faith through contact with aliens.
Where do they get their starship? The Jesuits buy a used spaceship that was not made for traveling outside the Solar System, and refit it for travel at near-lightspeed. (That part of the story takes place around the year 2020, in a book written in the 1990s.)
I have questions.
Whatever happened to NASA? The military? The scientific establishment? The way the expedition is created and unfolds, the reader might think those institutions had vanished - and only the Catholic Church remained to organize the first contact with an extraterrestrial civilization.
On what basis was this expedition founded? What made a crew of non-professionals risk their lives traveling over 4 lightyears with poor planning and a low chance of survival?
Well you see, a radio telescope happened to pick up some alien song that was broadcast from Alpha Centauri. So obviously this is the business of one specific organized religion - or so the plot would have us believe.
Were there any attempts to contact the aliens before going there? Any work on trying to figure out the possible meaning of the broadcast? Perhaps one should build more powerful telescopes to examine the planets of Alpha Centauri? Or send unmanned space probes, before human astronauts go there?
Nope. Things really do proceed on, or near, the level of "Hey, gang! Let's go to Alpha Centauri!"
But you can't approach THE SPARROW by taking the plot literally, or as science fiction, because then it just falls apart. It's an allegory; it's about The Message; the aliens are there to teach the reader how to relate to The Message.
The elements of Catholic messaging that appear in the novel are easy to spot:
- Missionaries:The crew traveling to Alpha Centauri frequently behaves as if they were in the 16th century and going on a mission to the "heathens" of South America or the Pacific.
Speaking as an agnostic: If you approach a first contact with an alien species on another planet as if you were a Jesuit on a religious expedition, then either you are guided by divine providence... or you're out of your mind. So things can only go wrong - and boy, do they.
- Martyrdom:The brave missionaries suffer horrible fates - not surprising, really - but this is not framed as a consequence of their utter incompetence and the expedition's lack of planning and cohesion. The narration didactically instructs the reader that whatever bad things happen to the crew and the central protagonist matter in relation to God, and to the dogma of Catholic faith in particular.
- The Meaning of Suffering: The narrative contains a great deal of foreshadowing that the expedition will end in disaster, death and agony. (Too much foreshadowing, too contrived, too repetitive.) And what finally happens is ghastly and revolting - but it's shoehorned into the overall telegraphed Message "Why does God allow bad things to happen to good people?"
- God's Plan:The characters just can't shut up about God's intentions with absolutely everything that happens on their mission. They go on and on about it, to the point where I wondered if it was satire. (It's not.)
- Celibacy: The core "romance" element of THE SPARROW is that the attractive Catholic priest protagonist is loved by an attractive Jewish woman, but they can't ever have each other because The Rules. The cynic in me suspects that this contrived "romantic" subplot may explain the commercial success of the novel - think THE THORN BIRDS in space.
Either this sort of "will-they-or-won't-they-but-he-mustn't-because-Celibacy" dance appeals to you, or it doesn't. In this case it left me cold, but then I'm a big dumb straight agnostic male. Feel free to judge me for thinking about these two characters: Oh, just sleep with each other already. You're more than four light-years away from Earth and you're probably going to die in space - what are your options?
I won't spoil what happens to the attractive woman and her unrequited pining for the attractive celibate priest - but it involves a mix of tragedy and severe "cringe."
- Confession: A major part of the narrative is that other Jesuit priests try to coax the priest protagonist into confessing to them (and to them alone) why the expedition failed. The author makes this confession a very big deal, and the importance of Confession is telegraphed in an obvious manner.
(None of these serious-minded men of the cloth seem to consider that their organization was responsible for the failure of a doomed venture that said organization financed, and could have stopped in advance. The infallibility of the Church, I suppose.)
In the end, THE SPARROW is not as profound as it purports to be.
The novel's final, traumatic "big reveal" - that is supposed to present a deep, tormenting dilemma about God's intentions - is torpedoed by events in the real world.
The priest protagonist wouldn't have to travel all the way to Alpha Centauri to find that dilemma. It would have been enough to explore the Catholic Church itself, unflinchingly, and ask: Why would a just and loving God allow evil to exist inside the Church? Was that part of some divine plan?
But even if you overlook what we now know about abuse scandals in the Catholic Church, THE SPARROW is shallow. Other writers have tackled the themes of God, faith and belief with more depth - also in the science fiction genre. I can think of several examples (see the list below), but I'm certain the list could be made longer.
And therefore the critical praise heaped upon THE SPARROW seems undeserved. It's almost as if THE DA VINCI CODE had somehow been mistaken for THE LAST TEMPTATION OF CHRIST. In addition to the lack of intellectual depth, the plot is weak and contrived, the characters are unconvincing and often cringeworthy, and the attempts at "humor" are embarrassing.
The final part of the book features a quite unpleasant "shocker." (I do not recommend THE SPARROW to sensitive readers.) I wouldn't say the shock scenes were deliberate emotional manipulation, but they can be interpreted as misleading.
Shock scenes in fiction can manipulate readers' emotions, confuse them: You're shaken and moved by the characters' trauma, and you think this means you have had a profound experience. But the shock numbs your mind to the questions you, the reader, would otherwise have asked.
Being emotionally shaken - even traumatized - is not the same as thinking profoundly, and I suspect this is where THE SPARROW might "cloud the reader's mind."
THE SPARROW leans towards affirming Catholic dogma, but it seems to happen by accident - as a result of muddled writing. I assume the author had sincere issues with her belief, and tried to work out her doubts by writing THE SPARROW.
However, the resulting book fails to mentally step outside the religious dogma, and thus fails to observe them with something like a cold, analytical objectivity. It does not indulge in outright sophistry, but it dodges the "hard questions" by not taking them far enough.
(Consider also the possibility that the author might have used those "shock" scenes to numbherself, as a way to avoid the hard questions.)
There are some really interesting ideas in THE SPARROW, and the germ of what could have been a much better story. It was a success, and there are sequels. Since the first book disappointed me, I won't bother with the series.
If you wish to read memorable genre fiction about God, faith and belief systems, then I can recommend these books:
By James Blish: A Case of Conscience Black Easter and The Day After Judgment (the two titles form a "duology" and should be read as a single book)
By Philip K. Dick: Ubik The Three Stigmata of Palmer Eldritch A Maze of Death Eye in the Sky
This novel is a "portal fantasy" that still holds up. It is humorous, inventive and entertaining. The novel's protagonist, a mercenary named Gordon, returns from fighting in Southeast Asia (probably Vietnam). He feels alienated from 1960s society at the beginning of the hippie era, and is looking for something to do with his life. Then he discovers a mysterious newspaper ad with the headline "Are you a coward?", promising dangerous adventures for a volunteer hero. Gordon answers the ad... and is transported to a fantasy universe. A beautiful royal woman takes him on a quest to reclaim a priceless magical treasure from an evil sorcerer/demon. After many strange and dangerous (and occasionally bizarre) adventures, Gordon triumphs. But then comes the twist: What happens to the hero after he saves the kingdom and marries the queen? It gets complicated, and not at all what he expected... The author Heinlein is clearly having fun when he plays with the fantasy genre. And he keeps his tendency to deliver long-winded lectures somewhat under control (maybe he had a good editor). In order to appreciate GLORY ROAD, you must not come at it expecting a "Tolkien"-type fantasy story. You can also say that it's "postmodern" in that it seems aware of its own preposterousness. It is also greater than the sum of its parts.
(I came across a critic who speculated that GLORY ROAD inspired Stephen King's THE DARK TOWER. That may be true, but I haven't read King's novel.)
Recommended for adult readers (this is not fantasy for children) with a sense of humor.
For lovers of "The X-Files" and weird fiction.
Hardboiled cops in an American city hunt an "impossible" serial killer...
NOTE: This offer is valid until May 20 in European time zones.
PLEASE NOTE: The freebie will be available longer, until Monday April 29, in certain timezones (especially Europe).
About ALIEN BEACH:A VISIT TO THE ISLAND CALLED EARTH...
What might have happened if aliens had visited our world, the real world, in the very recent past? What would NOT happen?
On a tiny Pacific atoll nicknamed ALIEN BEACH, a group of men and women come face to face with amphibian visitors from space.
They must learn to understand these enigmatic visitors, before the planet is thrown into a war that cannot be won... and in doing so, come to understand themselves.
Book Review: THE CITY AND THE CITY (2009) by China Miéville
This highly original novel is thematically related to China Miéville's novel EMBASSYTOWN (2011). Both books are based on how language and abstraction can shape our perception of reality. It's a detective story, mixed with Magical Realism, and cannot easily be classified as either Science Fiction or Fantasy.
(Tellingly, the novel has won awards in both genre categories.)
Imagine there's a city-state named Beszel, located somewhere in the Balkans part of Eastern Europe. It's post-Soviet, not wealthy, and a bit backward - like, say, Romania in the early 2000s.
An experienced police detective in Beszel, Inspector Borlu, starts investigating the brutal murder of an American woman. But the investigation soon extends to another city-state, named Ul Qoma.
The inspector's work becomes involved with the complicated political entanglements and historical rivalries between the two cities... and he tracks down a possible conspiracy connected to the murder.
Now, where do you think that other city Ul Qoma is located? Next to Beszel? Across a river? Underground?
No. Both cities exist in the same place.
And yet, the people living in one city are forbidden to admit that the "other city" is there (this rule applies both ways).
So citizens of both Beszel and Ul Qoma have to live as if they know the other city formally exists - as a separate place and rival culture - but never admitting the presence of (or bumping into) the "other people" among them.
Obviously, this state of things complicates Inspector Borlu's work - there are convoluted rules for "crossing over" from one city to another, and a secret police to keep the order.
The murder investigation allows the reader to get to know the two cities in great, gritty detail. They feel very much like realistic, lived-in places with an Eastern European sensibility.
By far, the greatest feat Miéville pulls off is to describe how the protagonist and the other characters go about not seeing (or "unseeing") the parallel city with all its people and activity. Even down to mundane details such as: How do you drive a car in urban traffic, when you're not allowed to see (or bump into) half the traffic?
This really shouldn't work - and yet the reader is pulled in.
The ending was not what I expected. I had anticipated something different, as it seemed the story was building up to some big revelatory or mysterious climax.
The book circle I'm in had a very interesting and lively talk about THE CITY AND THE CITY. When we discussed the ending, someone put it like this: The climax may seem anticlimactic, but is consistent with China Miéville's recurring themes. He's very much into writing "anti-romantic" or "anti-mythological" stories.
Nevertheless, the book is absolutely worth reading. If I would compare THE CITY AND THE CITY with the works of another author, I'd say Jorge Luis Borges comes close.
As with EMBASSYTOWN, a grain of doubt remained in the back of my mind. I "got" the concept, but even so... was it too illogical? Too self-contradictory? (Like when a child has a new, weird idea and gets very excited, but the grownup can see the fundamental logical flaw that makes the idea unworkable.)
Even when I admit that small doubt, THE CITY AND THE CITY remains a fascinating, thought-provoking experiment in Magical Realism. Recommended.
(FOOTNOTE: There is a BBC miniseries adaptation of the novel. Are you curious about how the TV series visually solved the problem of showing people not seeing something that exists in front of them? So am I.)
Novellsamlingen DET BLINDA RUMMET innehåller en stor del av mina tidigare publicerade noveller. Flera av dem har aldrig tidigare varit översatta till svenska.
Här finns halsbrytande fantasier, satir, skräck, humor och massor av science fiction.
Boken har fått lovord:
"Yngves noveller är innovativa och tidstypiska." - Tora F. Greve, författare och redaktör
"A.R. Yngves noveller är fantasirika och pulpdoftande, inte sällan kryddade med en god portion humor." - Patrik Centerwall, författare
"Yngves berättelser kombinerar Isaac Asimovs obevekliga logik och Philip K. Dicks oförutsägbara märkligheter. En fascinerande läsupplevelse!" - KG Johansson, författare och musiker
Den svenska novellsamlingen DET BLINDA RUMMET kan beställas som pocket här:
What surprised me when I began reading this novel was its frank description of the horrors of China's political turmoil in the 1960s and 70s. (I had assumed such books would run into state censorship.)
It was tempting to interpret THE THREE-BODY PROBLEM as criticism of the Communist regime in the guise of SF... but as I read on, it became evident that the author has much bigger fish to fry. The novel carries a very serious message about the search for extraterrestrial life.
The plot has three interwoven threads: the tragic life of the scientist Ye Wenjie, the hunt to uncover a massive conspiracy against science itself, and the history of an extraterrestrial civilization pitted against Earth.
There is a lot I really like about this book. It is mostly well written, there is not an ounce of unnecessary text, it knows what it wants to say and makes a clear, reasoned argument. This is "highbrow" SF of the finest order.
It's refreshing to read SF that comes from a Chinese perspective! Cixin Liu breathes new life into a very old theme - "first contact."
It also contains original ideas and some amazing, memorable scenes.
The only weak part was the depiction of the extraterrestrials themselves - they struck me as behaving too much like Earthlings to be credibly "alien."
Does THE THREE-BODY PROBLEM's message hold up to scrutiny? If it does, it could influence the course of humanity's future. You should read the novel and make up your own mind.
Strongly recommended reading.
2. THE DARK FOREST
THE DARK FOREST (2008) by Cixin Liu
THE THREE-BODY PROBLEM ended in a huge cliffhanger: Can humanity survive an impending alien invasion?
You must read the third book in the series to find out how this story ends, because the sequel THE DARK FOREST leaves many questions unanswered.
THE DARK FOREST is mainly about preparing humanity for a terrible future - and how hope can survive.
The novel also develops the argument made in THE THREE-BODY PROBLEM - about the inherent danger of alien civilizations... I am not sure where I stand on that subject, but I think that far too much science fiction isn't taking it seriously.
THE DARK FOREST suffers from being the middle book in a trilogy. It is very clear about what it wants to say, but it is unevenly written (or translated??).
The "flatness" of the characters, a typical feature of "Hard" Science Fiction, gets worse here - because the author struggles to give the characters depth, but he doesn't completely succeed.
There are several plot twists - some are good - and a major one that is quite weak (humanity wandering stupidly into an obvious trap, with disastrous consequences).
Despite these criticisms, I just had to read the book to see what would happen next. I recommend it with a caveat: if you're not engaged in the main plot or the trilogy's "big ideas," THE DARK FOREST may bore you.
Me, I'm engaged and then some...
3. DEATH'S END
DEATH'S END (2010) by Cixin Liu
This novel is the third and final part of a trilogy that began with THE THREE-BODY PROBLEM and continued with THE DARK FOREST.
I really enjoyed the first book in the series. The second book didn't reach the same heights as the first... but the third part really succeeds. This is seriously epic stuff, spanning the far future and painting a vision of the ultimate fate of humanity.
The plot involves spectacular super-science, scale and size being used repeatedly to evoke gigantic change, vast passages of time... and destruction on a cosmic scale.
You might think that the human characters would be utterly dwarfed by the sheer scale of the story. But the author still manages to make the characters and their actions matter.
I noted that in all three books, Cixin Liu has a great knack for building a crisis and raising the stakes. Disaster is heaped upon disaster, until the odds against the protagonist seem hopeless – and then, at the last minute, comes an almost miraculous rescue, solution or escape from certain doom.
Speaking of doom – the THREE-BODY PROBLEM trilogy is based on an extremely bleak premise. I had to finish the trilogy to see just how far the author would go with his ”Dark Forest” hypothesis. I won't spoil the plot, but I was impressed that he took his idea and ran with it.
You may appreciate THE THREE-BODY PROBLEM as a standalone novel, but the two sequels do not stand on their own. I recommend the whole trilogy for readers of ”hard SF” with a grand, epic sweep and for its unique, somber vision of the universe.
A new Substack piece on the connections between science fiction writer Robert A. Heinlein, director Paul Verhoeven, Internet memes, and the Swedish hit game HELLDIVERS II. Read it HERE:
PLEASE NOTE: The freebie will be available longer, until Monday Jan. 29, in certain timezones (especially Europe).
About ALIEN BEACH:A VISIT TO THE ISLAND CALLED EARTH...
What might have happened if aliens had visited our world, the real world, in the very recent past? What would NOT happen?
On a tiny Pacific atoll nicknamed ALIEN BEACH, a group of men and women come face to face with amphibian visitors from space.
They must learn to understand these enigmatic visitors, before the planet is thrown into a war that cannot be won... and in doing so, come to understand themselves.
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